Gran Hablador
This cut combines all my favorite elements into one smokin' tune. That sweet spoken intro ("Agárrate q voy con todo"), the driving agogó, and, pa'l colmo, a little touch of voz de vieja ! LOVE it!
Favorite track: Bate Quebrao.
Super Priced Bundle! Get the new vinyl LP, Libre Para Amar, plus Conjunto Papa Upa's earlier 7-inch release on NYCT, "El Secreto Del Metalero" b/w the non-LP track "Chicharrón Pelúo" and accompanying postcard insert...
Includes unlimited streaming of Libre Para Amar
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
With their 2013 debut single “Vintage Voudou,” Conjunto Papa Upa cemented themselves as the torchbearers of a rare breed of Afro-Caribbean psychedelic soul, a clear delineation from the wonderful world of Venezuelan poly rhythms. That original song, named after the short lived but heavily influential Amsterdam brick and mortar record shop that band leader Alex Figueira founded, was a perfect clue into the deep exploration that Papa Upa would begin to take on their musical journey. Like the store itself, known for its solid connection to the musical footprints put down in relatively undiscovered places like Suriname, Curacao, Cabo Verde, Portugal and of course Figueira’s native Venezuela, Papa Upa has captured a sound that is entirely unique, a new concoction of influences that at once sound strange, yet totally familiar. Perhaps because Venezuela shared such a rich & diverse mix of sounds from the Atlantic, Caribbean & US, a kindred spirit to their neighboring country, Colombia, an equal in terms of their industry output from the 60’s & 70’s, yet not nearly as publicized and compiled in recent years. Like many places in the greater Afro-Caribbean nexus, they were musically ahead of their time.
This futuristic mélange of sounds is reflective of Papa Upa itself, made up of musicians from Venezuela, Uruguay, Cuba & The Netherlands, all living, practicing & recording at Figueira’s Amsterdam studio, Barracão Sound. With such a wide range of tropical influences, in a cosmopolitan and diverse city like Amsterdam, it’s no wonder that Papa Upa’s first long-player would find kinship in a collaboration with New York’s Names You Can Trust.
credits
released March 20, 2020
ALEX FIGUEIRA – PERCUSSION, VOCALS.
GERARDO ROSALES – PERCUSSION.
JARNO VAN ES – ORGAN, SYNTHS.
SAM EGTER VAN WISSEKERKE – BASS.
GABRIEL MILLIET – GUITAR, SAX, FLUTE, CAVAQUINHO
Recorded, Produced & Mixed by Alex Figueira
at Barracão Sound – Amsterdam, The Netherlands.
Mastered by Frank Merritt at The Carvery, London.
supported by 13 fans who also own “Libre Para Amar”
I have been several times in Belém and around in the delta of the Amazon & Tocantins rivers, went to carimbó little festivals in the middle of Marajó Island, taking analog photos of these afro-delta traditions, between 2000-2010 ... this release is huge, I pay homage to Samy Ben Redjeb for suceeding such a project! I hope one day Analog goes for French Guyana, Martinique & Guadeloupe vintage sounds. These CARIMBÓ-SIRIA & candomblé songs are FANTASTIC ! Chat-verre
Utterly joyous music from Cape Verde in 1984, “Já Bô Corre D’Mim” combines highlife guitars with giddy tropical rhythms. Bandcamp New & Notable Nov 8, 2021
supported by 13 fans who also own “Libre Para Amar”
Like so many others, this came like a bolt out of the blue and, even though it's well before payday, I had to have this astonishing album on vinyl to prove it exists. The feel of the tunes makes me feel like the Impressions do, Curtis Mayfield, the big spaces and instinctive horns and stuff drifting in and out. Great grooves and I can see lots of ghosts nodding along to this with big smiles on their faces. At last! Anthony Cottrell